This makes it especially well suited to variable situations like street photography.įirst off, this lens is an excellent balance of size/weight for the Sony A7IV camera body. The Sony 35mm f/1.8 has it all: lightweight, compact, relatively affordable, high quality, and full-featured. If I could only have one lens, this would be it.
Full frame lens for sony a7 professional#
For professional jobs, this lens lives on my camera most of the day. What are the best lenses for Sony a7 iii?Īs a slightly more expensive medium/wide angle lens, the Sony 35mm f/1.8 is second only to the Sony 28mm f/2 as an everyday carry lens.It will teach you to zoom with your feet and give you a good feel for the ever-popular 24-35mm focal range. The Sony 28mm f/2 is a great purchase, especially for beginners who want to try out a prime lens.
The compact nature and minimalist nature of this lens will not disappoint. If you really dig into the specs of this lens, you may start to focus on the flaws but I assure you that if you try it, you’ll enjoy it. Even though it’s an older lens, it has no trouble keeping up with the latest camera bodies. Paired with the impressive autofocus of the Sony A7IV, the Sony 28mm f/2 produces sharp images quickly and silently. The Sony 28mm f/2 is sharp, especially in the middle of the frame but does fade toward the edges of the frame at the widest apertures.Ĭompared with a cheap kit lens, this particular optic will feel like a substantial step up in terms of sharpness. The wide f/2 aperture makes shooting fast moving subjects in low light very doable.ĭon’t expect a lot of bokeh with this lens simply because of its wide angle lens perspective but it does offer some background separation if your subject is close to the camera. It’s especially compact, which also makes it less intimidating for photographing people because you’re not using a “big camera.” This is why people love it for street photography.Įven at a lower price point, this lens offers excellent performance. Sony 28mm f/2 Sample Image | Marc Bergreen
It is weather sealed, but I don’t recommend taking photos in heavy rain. The only time I have experienced any trouble is when heavy rain gets between the lens and the camera body. I have dropped it on two occasions, and it has held up to the abuse very well. It has a metal barrel with nice feeling rubber around the zoom & focus rings. In terms of build quality, this lens for Sony A7 IV camera bodies is solid. Chromatic aberration and distortion are very well controlled. In addition to the focal length variety, the Sony 16-35mm f/2.8 is very sharp throughout the aperture range and produces excellent quality images. Some people find this to be a little wide angle for an all around zoom lens but my image library shows this lens to be super effective!Īt 35mm you can shoot in a documentary style and at 16mm you can capture wide angle landscapes.Įven though it’s a wide angle zoom lens, I do my best to be intentional about the focal length I’m shooting at by choosing to shoot at 16mm, 20mm or 35mm.įor the untrained eye, those focal lengths may not feel very different, but when you really compare, 16mm looks much different than 35mm.Īs much as I can, I opt to shoot closer to 35mm to keep the distortion to a minimum giving a more natural feel, but sometimes you need a super wide view, making 16mm very nice to have. It’s a longtime favorite ultra wide-angle lens that makes for a versatile all-day lens for shooting landscapes, action sports, and events. The Sony 16-35mm f/2.8 is the best lens for Sony A7 IV owners who need something versatile to use everyday, while providing incredible image quality. Size (Diameter x Length): 3.5 x 4.8″ / 89 x 122 mm Linear Motor For Precise, Quiet Focusing.What are the Best Lenses for Sony A7 IV in 2023? Image
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